"You wish to see the distant realms? Very well. But know this first, the places you will visit, the places you will see, do not exist. For there are only two worlds — your world, which is the real world, and other worlds, the fantasy. Worlds like this one, worlds of the human imagination. Their reality, or lack of reality is not important. What is important is that they are there. These worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power, provide refuge and pain. They give your world meaning. They do not exist; and thus they are all that matters. Do you understand?"
~ Neil Gaiman
The popularity of fantasy fiction in a troubled world is hardly a new phenomenon. The Lord of the Rings trilogy and The Chronicles of Narnia were published in the 1950s, when the horrors of World War II were a not-so-distant memory. And while we have a young wizard named Harry to thank for the renaissance of this genre, the disturbing times in which we live have undoubtedly increased the fantasy tale’s allure and its relevancy. The desire to escape into a world filled with magic and wonder is quite natural at a time when the beheading of innocents makes the nightly news on an ever-increasing basis.
Yet for all the mystical adventures and flights of fancy, it is the classic battle between good and evil that remains the heart of fantasy stories, both old and new. The Dark Lords are always vanquished by brave, pure-of-heart champions. Perhaps it is the comfort in knowing that our hero – be it Luke, Harry, or Frodo – will overcome the forces of darkness despite impossible odds when, in our bleak reality (e.g., the Middle East quagmire), such triumphs are never guaranteed. Part of the fantasy yarn’s appeal is that these battles inspire us to dream of a better world. A speech that Albus Dumbledore, Headmaster of Hogwarts School of Witchcraft and Wizardry, gives at the end of Harry Potter and the Goblet of Fire following the return of the evil Lord Voldemort (the Osama bin Laden of the wizarding world) is particularly resonant in a post-9/11 landscape. “We are only as strong as we are united, as weak as we are divided... Differences of habit and language are nothing at all if our aims are identical and our hearts are open.” This speech seems more at place in a presidential address to the nation than in a mere children’s book. But certainly fantasy’s charm lies in its childlike nature. Our collective enchantment with these tales could simply be because Harry, Gandalf and their ilk are just a whole lotta fun.
So whether you’re looking for a creative interpretation of the conflicts that currently plague the world or a quick fanciful escape from the mundaneness of everyday life or are simply killing time in the seemingly interminable wait for Harry Potter and the Half-Blood Prince, there are more than a few new fantasy fics to meet your needs. These books owe much to their fanciful predecessors, from Professor Tolkien to George Lucas. At their best, they are quite unique and interesting tales that add to the pantheon of classic fantasy literature, while at the very least, they provide several hours of entertaining escapism.
Artemis Fowl by Eoin Colfer
Miramax Kids, May 2001 for Book One, May 2003 for the most recent Eternity Code
Cultural Antecedents: British fairy lore, James Bond movies
The Conflict: An inventive twist on old English “fairy” tales, a young criminal mastermind starts a war with the subterranean fairy world after kidnapping one of their kind. The Lower Elements Police reconnaissance (better known as the clever acronym LEPrecon)is the fairy army that lays siege to Fowl’s manor to get the captive back. Unlike the modern world, where captors apparently encourage the brutal torture and/or sexual humiliation of their prisoners, this conflict is a more intelligent and humane battle of wits. As Artemis anticipates his enemy’s next move (utilizing a variety of his own invented technologies a lá 007), the fairies must decide whether to unleash a vicious, unruly troll to save their comrade.
Fun Factor:
Although Fowl was initially viewed as a Potter knock-off, there are actually few similarities between the Hogwarts student and the young Bond-esque Artemis. Certainly the most differential (and intriguing) thing about Fowl is his dual role as evil villain and sad child who longs for nothing more than the love of his parents. Add that drama to lots of clever allusions to old fairy myths and Artemis makes for an enjoyable and original read.
Eragon: Inheritance, Book One by Christopher Paolini
Knopf, August 2003
Cultural Predecessors: Star Wars, Tolkien
The Conflict: In true Luke Skywalker fashion, young Eragon sets off with mentor Obi-, er, that is, Brom and Saphira the Dragon to seek revenge on the evil empire that murdered his uncle. Following this tragedy, Eragon laments that he will never have the peaceful home life he once imagined for himself. Anyone who watched the events of 9/11 unfold certainly shared that feeling of shattered security and the sense that the world had been irreversibly changed. On his journey, Eragon discovers that he is the “Chosen One,” the last of the Dragon-Riders (an ancient mystical order like Jedi but with telepathic dragons instead of lightsabers).
Fun Factor: While a bit short on originality, Paolini has cobbled together a pretty entertaining little story, especially considering he was a mere 15 years old at its inception. Anyone who has ever played a computer fantasy-role-playing game (or watched Star Wars) may feel a bit of deja vu. There are elfin princesses in need of rescue, new acquaintances who may be friend or foe, and lots of skirmishes with the minions of a malevolent empire. But by the final pages, Paolini manages to win over his readers and leave them counting down to the release of Eldest, the next installment of the Inheritance Trilogy.
Shadowmancer by J.P. Taylor
Putnam Publishing Group, April 2004
Cultural Predecessors: Arthurian legend, the Bible, C.S. Lewis, Dostoevsky’s Grand Inquisitor
The Conflict: A nefarious 18th century vicar, Obadiah Demurral, plots to overthrow Riothamus (aka God - although “Riomathus” is actually another name for King Arthur) with a powerful magical artifact, the Keruvim. African healer Raphah, who is basically a human incarnation of Narnia’s Christ-figure Aslan the Lion, endeavors to stop him with the help of two rather forgettable children and a callous bandit. While Demurral’s contemporaries are shocked to discover that a “man of God” could be so corrupt, the current scandals of the Catholic Church are more than enough to suspend a reader’s disbelief in a less-than-holy priest. The Church’s desire for power and control over its believers, a topic discussed from the time of Dostoevsky up to the current DaVinci Code craze, is personified by Demurral and his crusade to topple what he views as an ambivalent, uncaring divinity.
Fun Factor: There’s not much “fun” to be had in this dark, religious parable masquerading as a fantasy tale but there is lots of the atmospheric creepiness that comes with the threat of apocalypse. However, it is not the spiritual aspect that detracts from the story itself, rather it is the characterization that makes Shadowmancer fall just slightly flat. Demurral is an over-the-top, almost-cartoonish villain and the child heroes are stale and unsympathetic. Only the pirate Jacob Crane is somewhat memorable but mostly because his agnosticism and ruthlessness evoke visions of another roguish smuggler from a certain galaxy far, far away.
The Amulet of Samarkand: The Bartimaeus Trilogy, Book One by Jonathan Stroud
Miramax Kids, September 2003
Cultural Predecessors: Arabian Nights, Harry Potter (only for the whole British boy wizard thing)
The Battle: After being humiliated by an upstart magician, Simon Lovelace, the wizard apprentice Nathaniel plots his revenge with the help of a powerful and barely controllable djinni. For all its wizards, djinn and minor imps, Stroud’s tale is actually quite rooted in reality with its political machination subplot. If you think the Bush-Kerry rivalry has gone too far, in Bartimaeus’s Machiavellian, wizard-controlled world, Lovelace seeks to consolidate his political power by literally destroying his opponents with the help of the eponymous amulet - unless Nathaniel and Bartimaeus can stop him.
Fun Factor: Who knew footnotes could be so much fun? Bartimaeus is an ancient djinni with a wicked sense of humor and a penchant for using entertaining annotations to convey his digressions in thought, to further explain some aspect of the magical world or just to share his always amusing opinions. When describing modern technology, the five-thousand year old bemoans that they “carry so much of the human about them that they afflict our essence...It’s probably some sort of allergy.” This unique voice (Amulet switches back and forth from the djinni’s first-person perspective and the third-person observer) makes Bartimaeus one of the most engrossing, delightful fantasy adventures since we first heard about a boy wizard with a lightning-shaped scar.
